A small selection of theater sound design work.
DOOMOCRACY by Pedro Reyes
Brooklyn Army Terminal, NYC
Oct-Nov 2016
Produced by Creative Time
Directed by Meghan Finn
Written by Paul Hufker
Sound Design by Marcelo Añez
Additional design credits here
"An art-installation house of horrors inspired by climate change, gun control, and Donald Trump."
Over 13 different ambients with 2-3 min performances and experiences, laid out in the style of a haunted house. We took over 3 complete floors of the Brooklyn Army Terminal annex building, with a cast of 30 actors (cast list here).
The NEWYORKER.COM made a cool video of the show.
The sound system consisted of 60 speakers and sub woofers, scattered around the 13 rooms and spaces, controlled by 4 computers running multiple QLab sessions, plus 4 additional ipods running sounds infinite loops. Several live microphones, a prop gun, an old hammond organ and a vinyl record player were also used.
The logistics of running those 13 scenes was complicated, and a traditional booth and operator wasn't feasible in many cases. So some scenes had infinite sound loops, some needed a control booth operator running the sound cues. But for a couple of scenes, I set up ipod touch controllers for the actors, so they could activate their own sound cues while they performed.
NEW YORK TIMES Review
Teach, Teacher, Teachest
A play produced by One-Eighth Theater Co.
Directed by Daniel Irizarry.
Written by David Koteles.
(Inspired by The Lesson by Eugene Ionesco)
At INTAR Theater, NYC
Sept-Oct 2014 (currently running)
Sound Design by Marcelo Añez
New York Times Review
UBU
A play produced by One-Eighth Theater Co.
Directed by Daniel Irizarry.
Written by Adam Szymkowicz.
(Inspired by Ubu Roi by Alfred Jarry)
At INTAR Theater, NYC
Sept-Oct 2013
Sound Design by Marcelo Añez
TimeOut NY Review
PLAY/DATE
Produced by Blake McCarty, Sharon Counts & Michael Counts
in partnership with 3-Legged Dog
Conceived by Blake McCarty
Directed and Designed by Michael Counts
At Fatbaby Bar, Lower East Side, NYC
June - Nov 2014 (currently running)
Sound designed by Marcelo Añez
TimeOut NY Review
REID FARRINGTON'S A CHRISTMAS CAROL
A multimedia video collage/live action performance of Dicken's classic A Christmas Carol
Conceived and Directed by Reid Farrington
At Abrons Arts Center, NYC
December 2011
December 2012
Sound Design by Marcelo Añez
AliceGraceAnon
A New Georges Production
Directed by Kara-Lynn Vaeni
Written by Kara Lee Corthron
At The Irondale Theater, Brooklyn
Oct-Nov 2012
Sound Design by Marcelo Añez
DIARY OF A TEENAGE GIRL
by Marielle Heller
directed by Sarah Cameron Sunde & Rachel Eckerling
At 3LD Arts & Technology Center, NYC
March-April 2010
A complex 17 speaker audio system described in 2 of my blog posts at www.WrappingCables.com
New York Times Review
FREQUENCY HOPPING
Written and Directed by Elyse Singer
At 3LD Arts & Technology Center, NYC
June 2008
Sound Design by Marcelo Añez
The musical score in this play was performed by a mechanical orchestra of 9 player pianos and around 30 motorized robotic percussion instruments. Then a 10 speaker sound system handled pre recorded music, sound effects and the sound reinforcement of the actor’s voices.